It's been another whirlwind week so far, switching between indoor and outdoor skating everyday. Practices have been intense (very physically demanding) though a little unfocused lately, mostly because we're in a transition period. Today is the eve of coach AA's departure for another season of racing in Europe. Coincidentally, a few things that he mentioned throughout this last indoor season finally take on meaning to me. I'll try my best to describe these little moments of "aha!" and how they relate to some recent changes to my skating.
A few things stand out in my mind. If I am to look for a common theme, I would say I finally realize how skating involves many different senses. Obviously, sight is important for judging speed, avoiding obstacles, synchronizing strides, and critiqueing skating technique. However, it is only part of a larger picture. About a month ago, AA discussed the importance of opening up our senses while we skate. It sounds a bit new-agey but it makes a lot of sense. A beginner skater often has a bit of tunnel-vision, overly concentrating on the back of the skater in front, or not peeling his sight away from the skates in fear of clicking skates. This kind of intense focus takes the attention away from things happening around you such as an attack or perhaps a fallen skater a few people ahead. The trade off is, of course, less reaction time.
Sight is only part of the equation of knowing what's going on around you. Touch is an effective feedback if used properly. We had a discussion last night after practice about skating with your hands and AH made an interesting analogy. He said that hands are like a cat's whiskers. Not only can you use your hands to protect your space while skating, you can use them to detect movement from surrounding skaters so your vision are free up to look further ahead. For example, say I am in a pack between skater A and B and I want to swerve just slightly to the right or left behind skater A to check out what's going on around. Skater B can easily come up and thus squeeze me out of the pack. However, if I leave my hand on the back of skater A, I would know immediately if skater B tries to do anything because he would come in contact with my arm. Another good example of skating with the hands is to make space for myself. I can be skating beside a pack at the same speed and there is not quite enough room for me to squeeze in. If I place my hand on a skater's back and give him a little push forward, I effectively open up a space behind him for me to hop in. Making space for myself can also happen during a pass. Let's say I'm making an inside pass out of the corner and the skater in front is skating just a bit too tight for me to squeeze through. If I give him a litte push forward (no, I'm not talking about shoving them outside!), I would create enough space of me to make a successful pass. All of these do require a certain level of comfort in pack skating before I can execute them successfully. Definitely something to remember though.
In my mind, sound and rhythm are closely related. AA mentioned in a practice once that the sound of our push is directly affected by how we push. In fact, the noise of wheels against the ground is an instant feedback of how well the push is executed. I know I don't have a habit of pushing hard. When I look at my videos, I often skate like there isn't very solid contact between my wheels and the ground. Last Sunday in Hamilton, I experimented with different rhythm in my skating strides and I hit that sweet spot where the noise was "right". I arrived late at practice today and ended up mostly skating by myself because I was tied up with work. Without the "distraction" of pack skating, I quickly found this rhythm again, even in the corners doing crossovers. It's amazing how listening carefully can be so helpful in making adjustments. Being able to change the tempo of my strides is something that I'm just starting to pick up. Last season, I had a habit of drafting big tall guys in the fitness group. Their strides are typically long and the cadence is slow. As a result, I developed my natural cadence to be on the slow side as well. There is a time and place for this kind of tempo but skating with only one tempo simply would not cut it. MW told me in February that I get gapped in the corners when there's any acceleration in the pack because I could only maintain one tempo and I could not output more power per push. Applying more power in each push is great for gradual acceleration. However, if I want a more abrupt change in pace, I need faster leg speed. This was a concept that I was just starting to grasp late last outdoor season but without too much feedback, I wasn't sure if what I did was complete rubbish. During the off-season, part of my off-skate training involves drills for fast legs/CNS. Add to the fact that I am now making better use of arm swings, I think I have finally introduced a faster cadence to my repertoire.
Coach EG once told me that improvement doesn't necessarily happen gradually. Rather, they may occur in bursts. Perhaps I am overly optimistic but I think that's exactly what I'm going through right now. Previously abstract ideas are becoming concrete things that my body is able to do. I don't have hard evidence yet in the form of clocked times for my performance in various distances. It's probably a good idea to set aside a practice session to time myself in the next few days.